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The Girlfriend Who Keeps Finding Ghosts in an Empty House

  • Jun 10
  • 3 min read

Who also threatens people who love her and give her a place to run to when she's turned into a megalomaniac.


She works in nonprofits — the kind of woman who speaks in affirmations and collects crystals from the Saturday Market, has cat psychic, you know the deal. She talks about “energy” and “healing” and “boundaries,” but somehow ends up outside her boyfriend’s house past midnight, shaking with rage over something that never even happened, breaking things and disturbing everyone’s peace.


“My revenge will be painful,” a text she sent to his sister because she picked him up after another pointless fight. Threatening his sister? Sounds like a child who is fighting over a toy at daycare and not a person who loves a man who is willing to give him safety and peace, an emotional terrorist Carmen would say (my therapist).


He never cheated. Not once. This isn’t a FRIENDS episode where Ross and Rachel were on a break; they were NOT TOGETHER, and talking to someone isn’t sex. Grow up.


But she’s decided he did, or could, and that’s close enough for her. It’s not about proof; it’s about power. She needs to feel wronged, to be the wounded one in the story. Because when she’s the victim, she’s also the center. The center of what exactly?


You can hear it in her voice, that quiver of conviction that turns every insecurity into evidence. Listening to her cryptic voicemails sent to him to harm him was the most delusional and toxic thing I’ve ever heard, and what were they for? “I just feel like something’s off,” she says, and suddenly he’s cornered in his own living room, trying to defend himself against feelings she’s already decided are facts.


She calls it processing. I call it control. Controlling A F.


Because it’s not healing when you weaponize your pain to keep someone small. It’s not growth when you rewrite reality to protect your ego. And it’s not love when you make someone apologize for ghosts you conjured yourself.

The thing is — she doesn’t want peace. Not really. Peace is boring. Peace doesn’t validate her. Peace doesn’t give her a crisis to manage or an audience to pity her. Peace would mean she’d have to sit alone with herself, and that’s the one person she can’t out-argue.


He loves her, or maybe he just pities her, hard to tell the difference sometimes. But every fight plays out the same: she finds new “evidence,” he tries to calm her down, and she cries harder because calm feels like rejection when you’re addicted to chaos. Losing her job at the end of the year might create more chaos for her, but calling him a loser because he’s just a cook? Well, the devil is in the details, isn’t it?


Portland’s full of people like her, soft voices, vintage trauma, and a vocabulary straight from their therapist’s waiting room. They talk about boundaries while bulldozing everyone else’s. They preach self-awareness while mistaking control for connection. And they’ll call it healing, as long as it keeps them from actually having to do the work.


What she doesn’t realize is that not everyone’s out to hurt her. Some people actually just want to love her, quietly, consistently, and without performance. But she’ll never notice that kind of love because it doesn’t make her bleed. Waking up every day to a war she’s created, why would anyone put their life on the front lines for insanity?


She keeps calling it healing, but what she’s really doing is bleeding on anyone who’ll listen.

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